Verdensteatret – Bridge Over Mud

Touring

Capacity: 150 – 350
Stage: White Box, Black Box, Gallery, or Museum space
Running Time: 1hr
Availability: North American tour in Spring 2019 & Fall 2019

Personnel (10)

Created By:
Asle Nilsen, Lisbeth J. Bodd, Piotr Pajchel, Eirik Blekesaune, Ali Djabbary, Martin Taxt, Espen Sommer Eide, Torgrim Torve, Elisabeth Gmeiner, Niklas Adam, Kristine Sandøy, Thorolf Thuestad, Janne Kruse, Laurent Ravot, Benjamin Nelson

Tour Dates and Availability

September 7 – 10, 2016
BAM 2016 Next Wave Festival
bam.org
BAM Fisher, Fishman Space – 321 Ashland Place, Brooklyn, NY 11217 [map]

September 22 – 25, 2016
On the Boards
ontheboards.org
On the Boards – 100 West Roy St, Seattle WA, 98119 [map]

Technical

Tech Rider

Press

Press (English)
Preview Article: Psychedelic Norwegian theater company brings mind-bending adventure to On the Boards. Seattle Times 9/22/16.
Preview: If a City Could Have a Nightmare, It Would Look Like Bridge Over Mud, The Stranger, Seattle 2/22/16.

With Bridge Over Mud, the Oslo-based art collective transforms the theater into a complex, multi-channel electro-acoustic space and visual instrument, played and manipulated by a team of artists, software developers, and musicians. Part music concert, part installation, and part performance, Bridge Over Mud features a vast delivery system that includes 195 feet of elevated tracks, 11 motorized vehicles, 60 speakers, and 30 micro-controlled motors. Throughout the hour-long work, the company uses these tracks to literally transport video, sculptures, shadows, screens, and sounds to create a dazzling open-ended story space of immense proportion.

Bridge Over Mud evokes the prehistory and beginnings of cinema with strong metaphorical connections to locomotion and trains. Train travel provided the prototypical experience of looking at a framed moving image, as well as the mechanical double of the cinematic apparatus. Both were means of transporting a passenger to totally different places, and both were highly charged vehicles of narrative events, stories, and chance encounters. While Bridge Over Mud is NOT about cinema, nor is it about trains, the work’s featured miniature vehicles do function in the capacity of both camera and projector. They travel amongst an array of lenses to create much of the work’s sumptuous light-refracted images. Verdensteatret has often built its pieces from “raw” materials collected during journeys and encounters with foreign landscapes and cultural “others.” For example, the company created Tsalal (2001-2002) from a trip to Odessa and Istanbul, Concert for Greenland (2003) engaged the harsh and majestic landscapes of Greenland and other north-Atlantic islands, and Louder (2007) was created after a journey to Vietnam and the Mekong-river.

Bridge Over Mud continues the company’s preoccupation with travel with its tropes of discovery, chance, disorientation, and altered states of consciousness.

Photos

Video