winter guests – Simulacrum

Touring

Capacity: 300 +
Stage: Proscenium
Running Time: 120min (with one intermission)
Availability: North American Tour 2017 and 2018 Seasons

Personnel (7)

Direction and Choreography: Alan Lucien Øyen
Performers: Shōji Kojima and Daniel Proietto

Dates and Availability

July 22, 2016 @ 6:00PM [Preview]
The Clarice Smith Performing Arts Center
theclarice.umd.edu
3800 College Park, MD 20742-1625 [map]

October 13 – 15, 2016 [Premiere]
Den Norske Opera & Ballett
operaen.no
Kirsten Flagstads Plass 1, 0150 Oslo, Norway [Map]

April 18, 19 & 20, 2017
CounterCurrent Festival
countercurrentfestival.org
MATCH-BOX 2 3400 Main Street Houston, TX 77002 [MAP]

November 7 & 8, 2017
Théâtre National de Chaillot
theatre-chaillot.fr
1 place du Trocadéro 75116 Paris, France [MAP]

Technical

Tech Rider
Light Plot

Press

Interview with Daniel Proietto (Arts and Culture Texas)

Additional Materials

Train Window Projector (Video)

Simulacrum, the new striking visual narrative and dance by Norwegian performing arts company Winter Guests, is a full-length evening work consisting of two separate, but related pieces. The first is titled Simulacrum (60min) and the second Natsue (20min).

Simulacrum weaves together the real and fictional journeys, histories and desires of two actual dancers, both of whom left their countries of origin in search of truth and authenticity. 76 year-old Shōji Kojima migrated to Spain from Japan to become a master of Flamenco, and 31 year-old contemporary Argentine dancer Daniel Proietto left for Japan to study the female role of Kabuki. Both dancers found solace in movement as a way to mediate their traumatic pasts — the chaos and poverty of Daniel’s early life in Buenos Aires; and the haunting pain of Shoji’s childhood abandonment.

Simulacrum brings these two award-winning dancers together across geographical and cultural borders to examine the parts that memory, passion, identity and mortality play in the making of art and the artist. Simulacrum is an intensely visceral, multi-disciplinary performance incorporating the secretive, familial formality of Kabuki; the fierce, prideful energy of Flamenco with Contemporary dance. Simulacrum asks how are claims to authenticity made and by whom? What are the stakes?

Natsue is a poetic re-membering of the trauma and pain of Shōji Kojima’s abandonment, told from the perspective of Natsue, Shōji’s mother, who was forced to give him up at birth to her childless brother-in-law. Performed in the traditional Kabuki style by Daniel Proietto, Natsue is an intense meditation on loss, hopelessness and the impossibility of reunion. After years of guilt and grief, Natsue returns to the birthplace of Shōji in one last, but failed attempt to see her son.

Natsue is especially composed and choreographed by the famous Kanjuro Fujima, the head of the Fujima school of traditional Japanese dance. Kanjuro is from a long line of highly acclaimed artists; his grandfather, Fujima Kanjuro IV, was designated as a Living National Treasure.

Photos

Video

Credits
Directed and choreographed by: Alan Lucien Øyen
Performer: Shôji Kôjima
Performer: Daniel Proietto
Creative Associate/text: Andrew Wale
Set design: Åsmund Færavaag, Andy Cavatorta
Lighting Design: Martin Flack
Sound Design: Gunnar Innvær
Kabuki choreography & music: Kanjuro Fujima
Illustrator: Nicole Skibola
Studio Assistance: Marina Litvinskaya, Yvette King, Michelle Chung, João Costa
Production: Winter Guests The Norwegian Opera and Ballett
Partners: House of Dance Oslo
Funding: The Norwegian Arts Council
Producing Partner and North American Management: FuturePerfect Productions

The Creation of Simulacrum was supported in part by a Creative Residency at The Clarice Smith Performing Arts Center, University of Maryland, College Park, MD.